Coaching

Stephanie is a skilled one-on-one coach of performers at all levels, & performance-makers at all stages of creation.



Performer Coaching

Stephanie gets in touch with a performer's needs in order to be grounded & free in performance presence. Often this involves intuiting a 'handle' or 'doorway' -a technical or physical awareness - which can allow the performer to tap into a fuller range of possibilities. This kind of work & focus is sometimes difficult in the context of a group rehearsal process. One-on-one focused time to find & practice one's particular doorways to availability can greatly enhance both solo & group performance processes.



Performance-Maker Coaching

Though there is a dramaturgical tradition in theater - someone who the director can turn to for brainstorming & advice - there is often a great need for this in the world of dance and performance-making.

Stephanie uncovers a performance-maker's intentions, & helps fulfill them. Her aim is to do this in the most appropriate way for the project & the artist, without necessarily imposing her own creative methods. This might involve a suggested method for finding movement or textural underpinnings for body &/or voice. It might involve finding structural concepts that carry the through-line in an organic & exciting way. Often, finding movement & textural keys can activate structural & design ideas.



Both for performers & performance-makers, these sessions can have remarkable effect in the course of one to several sessions, depending on circumstances of schedule & budget.

"I really value and appreciate Stephanie's work - I find it so nourishing, and deeply inspiring. I learn so much when working with her, particularly around connecting with our innate senses of structure, form, composition, relationship and creativity. Truly wonderful information and support of my practice as a performance-maker. Informative, inspiring, moving, many significant experiences. I witness and appreciate such clarity in Stephanie's responses, which I feel direct one's curiosity and attention to ways to develop and grow work. My studies with her have been so influential on my practice." Joe Moran, Performer & Choreographer, London